Right down to the deadline (11/30), but I did my 50K words–maybe 30K of which are any good–for the National Novel Writing Month challenge. I even got a badge. The NaNoWriMo organization also offers badges for a couple dozen categories, like Pantser, or Planner (do you write by the seat of your pants or outline?), Caffeine Abuse, Word Sprinter (if you joined a NaNoWriMo get-together to write, which I did at Space Cowboy Books), and others. They don’t offer a badge for cheaters, which I earned because I started KillGirl long before the official start date.
It was fun, and I will do it again next year.
Whoo-hoo again. Got a third request from an agent for my Losing Normal manuscript. Balanced against that are the fifty-one unanswered queries and the thirty-six “thanks, but no thanks.” Keeps my head from getting too big for my hat.
I went to the Writers’ Digest Novel Writing Conference in Pasadena. I was pleasantly surprised. My first writing conference was disappointing. That con—which shall not be named, in case I get invited to the next one to speak—was more of an opportunity for vendors to sell stuff than for me to learn about my craft, or the biz in general. Since then, I’ve had my BS detector set on high.
Here are a few photos:
Whoo-hoo! Got my SECOND request from an agent for a full manuscript of “Losing Normal,” my YA-soon-to-be-MG novel.
Writing TV, you’re always outlining. You have to make it the right length, figure out the act breaks, and make sure you have an act-ending hook to bring ’em back after the commercials.
Books, not so much. Some people do detailed outlines, some wing it (seat-of-the-pants writing). I go back and forth; I make a lot of outline-ish notes, but wind up tossing a fair amount.
But whether you’re an outliner or a pantser, you will probably find this handy when writing and organizing.
Jami Gold has free outlining tools (Excel spreadsheets) that will help anyone needing to arrange the sequence of events that make for turn-the-page reading.
Worksheets for Writers
She also offers online classes and editorial services.
The Hi-Desert Star, our local paper, interviewed me about my writing career. Here’s the article.
I vacillate between feeling all cool and superior to reminding myself, “big fish, small pond.”
Not that I have anything against small ponds: we have one in our yard that, while it has no fish, is a go-to destination for coyotes, jackrabbits, antelope squirrels, cactus wrens, quail, pigeons and owls.
When the paper gets around to putting the article on-line, I’ll link to it.
SCWBI, please note the artful placement of my hat. Free advertising!
I attended the Society of Children’s Book Writers and Illustrators in LA last weekend. Being an old cynic, I was pleasantly surprised. A lot of writing cons I’ve been to seem to want to sell you stuff: websites, consulting, self-publishing kits, and so on.
Not here. This was really focused on writing, finding an agent, getting published. No BS marketing. The list of speakers included dozens of published and award-winning authors, including Kat Yeh, who was eloquent in describing her shyness and struggles to “get out there” when she was just beginning her career.
It was, for me, a chance to continue my search for an agent for Losing Normal. There were a dozen or more agents there, and they all announced that they’d be happy to read queries from SCBWI attendees, even though some were not currently open (No, I will not tell you the secret code to query. You have to have been there).
There were dozens of breakout sessions/workshops on aspects of writing and getting published, all focused (mostly) on the children’s/YA market: useful info for beginners, pros and illustrators. The schedule is still available at http://bit.ly/2nwJHyF , so I won’t repeat it here.
Los Angeles last weekend was a gigantic sweat lodge, so I mostly stayed indoors at the LA Marriott location.
I met some nice people, fellow writers, had some good food and was glad I went.
A definite perk of the conference for single guys is that attendees were about 90% – 95% female. Are there no men who write kids’ books?
I was in a room with a crowd of people I didn’t know. A guy stepped away from the crowd and pointed his finger at a book, leaning on edge against a wall. He waved his hand and the book slid behind a piece of furniture, hidden.
“Wow. Telekinesis!” my dream self thought. “I can do that.”
I walked over to the wall, looked down at the book behind the furniture, waved my hand and the book slid out, visible again.
My takeaway: there are obstacles to getting my book published, but I will overcome them.
I’ve been thinking about this for a while, during the writing (and thinking about writing) of KillGirl. I tend to agonize and fret about how I’m writing badly, or I’m out of ideas for this or that part of the book. Then I go sit at my computer, read my pages, notes and chapters, and fret and agonize some more, maybe waiting for that old inspiration to strike.
But the problem is, nothing is really happening. I’m not writing, I’m thinking about writing. Or worse, thinking about what I haven’t even written yet. So, one day, I sat down and told myself, I’m going to write, no matter how much it sucks, no matter how much I hate it. Even if I know I’ll shitcan it, I’m going to write.
Guess what? I start to feel better, about the writing, about myself. And (if today is any proof), my writing, IMHO, gets better. There must be a rule out there by some writer: nothing EVER gets better by thinking about it. Writing only gets better when you write.
This might be a “duh” moment for some of you, but I have to keep remembering it, over and over again. And keep writing.